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<DIV><FONT face=Calibri>The other thingt that has changed is not just the music
we listen to but how we listen to music. Categories are not as strict as they
once used to be like the german E- and U-Musik (serious and entertainment
music). The crossover aspect makes it even more interestig to discover new
music. Play some Steve Reich to an electronica buff and he will give you a nod,
play some Brian Eno to your classcal radio DJ, he'll probably give you a nod
too. Of course GG was into the Kontrapunkt thing, but without even an interest
in experimentation (in terms o technology !) and how music or sound will
affect people he would not have come up with the idea of IoN and pioneer tha
same techniques that are standards these days. Cutting, looping, sampling,
splicing and putting things into a completely different context. I still wonder
wether we should think of categories in music or abandon the idea of the box
where you can put an artist into. Classical, postmodern, avantgarde, baroque,
minimal, who cares ?</FONT></DIV>
<DIV><FONT face=Calibri></FONT> </DIV>
<DIV><FONT face=Calibri>I also must mention that Mary never claimed that GG
might like Eno's music, he certainly migh be most interested in some of the tech
stuff that is going on these days. Crying bloody shame he never got to see that.
Wether he would approve or let the Puritan out I cannot say. But he would
certainly examine some ideas and technologies.</FONT></DIV>
<DIV><FONT face=Calibri></FONT> </DIV>
<DIV><FONT face=Calibri>Pat</FONT></DIV>
<DIV style="FONT: 10pt Tahoma">
<DIV><BR></DIV>
<DIV style="BACKGROUND: #f5f5f5">
<DIV style="font-color: black"><B>From:</B> <A title=brettab@ihug.com.au
href="mailto:brettab@ihug.com.au">Brett Allen-Bayes</A> </DIV>
<DIV><B>Sent:</B> Thursday, July 01, 2010 2:26 AM</DIV>
<DIV><B>To:</B> <A
title="mailto:f_minor@glenngould.org
STRG + Klicken, um Verknüpfung zu folgen"
href="mailto:f_minor@glenngould.org">'Discussion of the Canadian pianist Glenn
Gould.'</A> </DIV>
<DIV><B>Subject:</B> Re: [f_minor] On Some Faraway Beach Nfld</DIV></DIV></DIV>
<DIV><BR></DIV>
<DIV class=Section1>
<P class=MsoNormal><FONT color=navy size=2 face=Arial><SPAN
style="FONT-FAMILY: Arial; COLOR: navy; FONT-SIZE: 10pt">As Brian Eno has come
up with his own play on minimalism (and we all know that GG detested it as much
as he detested rock music), somehow I don’t think that Gould would have been an
Eno fan at all! Where in Eno’s work do you find any sort of complex counterpoint
of the type that he relished? No doubt he may have displayed some interest in
Eno’s use of electronics etc; but his music? I don’t think so.
<o:p></o:p></SPAN></FONT></P>
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<P class=MsoNormal><B><FONT size=2 face=Tahoma><SPAN
style="FONT-FAMILY: Tahoma; FONT-SIZE: 10pt; FONT-WEIGHT: bold">From:</SPAN></FONT></B><FONT
size=2 face=Tahoma><SPAN style="FONT-FAMILY: Tahoma; FONT-SIZE: 10pt">
f_minor-bounces@glenngould.org [mailto:f_minor-bounces@glenngould.org] <B><SPAN
style="FONT-WEIGHT: bold">On Behalf Of </SPAN></B>michael macelletti<BR><B><SPAN
style="FONT-WEIGHT: bold">Sent:</SPAN></B> Thursday, July 01, 2010 9:48
AM<BR><B><SPAN style="FONT-WEIGHT: bold">To:</SPAN></B> Discussion of the
Canadian pianist Glenn Gould.<BR><B><SPAN
style="FONT-WEIGHT: bold">Subject:</SPAN></B> Re: [f_minor] On Some Faraway
Beach Nfld</SPAN></FONT><o:p></o:p></P></DIV>
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<P class=MsoNormal><FONT size=3 face=Arial><SPAN
style="FONT-FAMILY: Arial; FONT-SIZE: 12pt">that's great, but, how do you get it
to play ?<o:p></o:p></SPAN></FONT></P></DIV>
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style="FONT-FAMILY: Arial; FONT-SIZE: 12pt"><o:p> </o:p></SPAN></FONT></P>
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<P class=MsoNormal><B><FONT size=2 face=Tahoma><SPAN
style="FONT-FAMILY: Tahoma; FONT-SIZE: 10pt; FONT-WEIGHT: bold">From:</SPAN></FONT></B><FONT
size=2 face=Tahoma><SPAN style="FONT-FAMILY: Tahoma; FONT-SIZE: 10pt"> maryellen
jensen <maryellenjensen28@hotmail.com><BR><B><SPAN
style="FONT-WEIGHT: bold">To:</SPAN></B> f_minor@glenngould.org<BR><B><SPAN
style="FONT-WEIGHT: bold">Sent:</SPAN></B> Wed, June 30, 2010 12:19:48
PM<BR><B><SPAN style="FONT-WEIGHT: bold">Subject:</SPAN></B> [f_minor] On Some
Faraway Beach Nfld<BR></SPAN></FONT><BR><FONT size=5><SPAN
style="FONT-SIZE: 16pt"><BR>Since it has come up at F Minor,<BR>here's a copy of
an email I sent to a member<BR>some time ago:<BR><BR>"And in this corner: Glen
Gold, child wonder, Virtuoso of the piano keyboard, <BR>self-proclaimed
specialist of unfinished works - And in this corner: Brian Eno,<BR>non-musician,
self-proclaimed 'uncertain piano', prolific
composer..."</SPAN></FONT><BR><BR> <A
href="http://vueweekly.com/arts/story/hop_scotch_brian_eno_glenn_gould_sound_innovators/"
target=_blank>http://vueweekly.com/arts/story/hop_scotch_brian_eno_glenn_gould_sound_innovators/</A><BR><BR><BR><FONT
size=5><SPAN style="FONT-SIZE: 16pt"> One has to wonder what Gould would
have made of Eno's 1975 Pachelbel<BR>Canon in D Major. I enjoy it, liner notes
educational - not obligatory for <BR>listener's satisfaction. Part
One:<BR></SPAN></FONT><BR> <A
href="http://www.youtube.com/watch?v=HSx1v4becpc"
target=_blank>http://www.youtube.com/watch?v=HSx1v4becpc</A><BR><BR> <FONT
size=5><SPAN style="FONT-SIZE: 16pt"> 'Zenph' (not Senf) will have a little
trouble "re-performing" it but given<BR>enough encouragement who knows? Sony?
GGF?<BR><BR>Mary Jensen</SPAN></FONT> <o:p></o:p></P>
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<P class=MsoNormal><FONT size=3 face="Times New Roman"><SPAN
style="FONT-SIZE: 12pt">Hotmail: Powerful Free email with security by Microsoft.
<A href="https://signup.live.com/signup.aspx?id=60969" target=_blank>Get it
now.</A> <o:p></o:p></SPAN></FONT></P></DIV></DIV></DIV></DIV>
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