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<br><font style="font-size: 16pt;" face="Times New Roman" size="4">Oh what a relief that someone else gives a flying ---- about Gould's Haydn. I have already begged anyone here who can get their hands on a copy of "Gould's Remarkable Haydn Series" Piano Quarterly Vol. 31 no. 121 Winter 1982-83 by Joseph Banowetz to please send me a photocopy. I'll pay postage...I'll send you a free cd of whatever you want (within reason) in return. No, that's going too far. I offer a free cd of Gerard Lesne and Ensemble Il Seminario musicale recorded at Basilique Saint-Hippolyte, Thonon-les-Bains, Haute-Savoie, France, April 1988 "Musique Sacree pour Contralto, Cordes et Basse Continue" in fair trade for a copy of the Joseph Banowetz article. You'll just have to twig the composer and the compositions. </font><font style="font-size: 16pt;" face="Times New Roman" size="4"><br></font><font style="font-size: 16pt;" face="Times New Roman" size="4"><br></font><font style="font-size: 16pt;" face="Times New Roman" size="4"> People crow and crow ('cause it's facile?) that Gould rerecorded The Goldberg Variations ... well hang on "just a doggone minute" (Gouldian speak); </font><font style="font-size: 16pt;" face="Times New Roman" size="4"><u>Gould revisited Haydn first </u></font><font style="font-size: 16pt;" face="Times New Roman" size="4">with his "slowhand" technique and I'm so glad that he did. What gorgeous play he has to offer; this is really a sublime Gould who feels at home with the composer. Haydn had all the moves that Gould could respect and bounce off of. It sort of drives me crazy with jealousy. I have to laugh out loud in pleasure and utter ... what is it exactly? Agreement? Amusement? Fulfillment.</font><font style="font-size: 16pt;" face="Times New Roman" size="4"><br><br> </font><a href="http://www.youtube.com/watch?v=hfu5VDjRKmA&NR=1">http://www.youtube.com/watch?v=hfu5VDjRKmA&NR=1</a><br><font style="font-size: 16pt;" face="Times New Roman" size="4"><br></font><font style="font-size: 16pt;" face="Times New Roman" size="4"> <b>As for what Gould had in mind for "Barbra", he laid his cards on the table: from <u>High Fidelity Magazine May 1976 "Streisand As Schwarzkopf" by Glenn Gould:</u></b></font><font style="" face="Times New Roman"><br></font><font style="" face="Times New Roman"><br></font><font style="" face="Times New Roman"> </font><font style="font-size: 10pt;" face="Verdana" size="2"><a href="http://barbra-archives.com/bjs_library/70s/high_fidelity_1976.html">http://barbra-archives.com/bjs_library/70s/high_fidelity_1976.html</a></font><font style="" face="Times New Roman"><br></font><font style="" face="Times New Roman"><br></font><b><font style="font-size: 16pt;" face="Times New Roman" size="4">This is <u>the second time</u> I have submitted the Gould-Streisand article to F Minor.</font></b><font style="font-size: 16pt;" face="Times New Roman" size="4"><br></font><font style="font-size: 16pt;" face="Times New Roman" size="4"><br></font><font style="font-size: 16pt;" face="Times New Roman" size="4">Mary Jensen</font> <font style="font-size: 16pt;" size="4"><br></font><br> <br> <br /><hr />Hotmail: Trusted email with Microsoft’s powerful SPAM protection. <a href='https://signup.live.com/signup.aspx?id=60969' target='_new'>Sign up now.</a></body>
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