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The question was not when and where GG wrote about Streisand (the High Fidelity piece is well known), but rather when and where Streisand commented on Gould, in response.<BR><BR>James K. Wright, Ph.D.
<DIV>Associate Professor &</DIV>
<DIV>Supervisor of Performance Studies</DIV>
<DIV>School for Studies in Art & Culture: Music</DIV>
<DIV>A917 Loeb Building, Carleton University<BR>1125 Colonel By Drive<BR>Ottawa, Ontario, Canada K1S 5B6<BR>Email: <A href="mailto:James_Wright@carleton.ca"><FONT color=#0066cc>James_Wright@carleton.ca</FONT></A></DIV>
<DIV>Telephone : (613) 520-2600 (ext. 3734)<BR>Fax : (613) 520-3905<BR> </DIV>
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From: maryellenjensen28@hotmail.com<BR>To: f_minor@glenngould.org<BR>Date: Sat, 17 Jul 2010 01:47:43 +0200<BR>Subject: [f_minor] Gould Meets Haydn / Streisand<BR><BR>
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<BR><FONT style="FONT-SIZE: 16pt" size=4 face="Times New Roman">Oh what a relief that someone else gives a flying ---- about Gould's Haydn. I have already begged anyone here who can get their hands on a copy of "Gould's Remarkable Haydn Series" Piano Quarterly Vol. 31 no. 121 Winter 1982-83 by Joseph Banowetz to please send me a photocopy. I'll pay postage...I'll send you a free cd of whatever you want (within reason) in return. No, that's going too far. I offer a free cd of Gerard Lesne and Ensemble Il Seminario musicale recorded at Basilique Saint-Hippolyte, Thonon-les-Bains, Haute-Savoie, France, April 1988 "Musique Sacree pour Contralto, Cordes et Basse Continue" in fair trade for a copy of the Joseph Banowetz article. You'll just have to twig the composer and the compositions. </FONT><FONT style="FONT-SIZE: 16pt" size=4 face="Times New Roman"><BR></FONT><FONT style="FONT-SIZE: 16pt" size=4 face="Times New Roman"><BR></FONT><FONT style="FONT-SIZE: 16pt" size=4 face="Times New Roman"> People crow and crow ('cause it's facile?) that Gould rerecorded The Goldberg Variations ... well hang on "just a doggone minute" (Gouldian speak); </FONT><FONT style="FONT-SIZE: 16pt" size=4 face="Times New Roman"><U>Gould revisited Haydn first </U></FONT><FONT style="FONT-SIZE: 16pt" size=4 face="Times New Roman">with his "slowhand" technique and I'm so glad that he did. What gorgeous play he has to offer; this is really a sublime Gould who feels at home with the composer. Haydn had all the moves that Gould could respect and bounce off of. It sort of drives me crazy with jealousy. I have to laugh out loud in pleasure and utter ... what is it exactly? Agreement? Amusement? Fulfillment.</FONT><FONT style="FONT-SIZE: 16pt" size=4 face="Times New Roman"><BR><BR> </FONT><A href="http://www.youtube.com/watch?v=hfu5VDjRKmA&NR=1">http://www.youtube.com/watch?v=hfu5VDjRKmA&NR=1</A><BR><FONT style="FONT-SIZE: 16pt" size=4 face="Times New Roman"><BR></FONT><FONT style="FONT-SIZE: 16pt" size=4 face="Times New Roman"> <B>As for what Gould had in mind for "Barbra", he laid his cards on the table: from <U>High Fidelity Magazine May 1976 "Streisand As Schwarzkopf" by Glenn Gould:</U></B></FONT><FONT face="Times New Roman"><BR></FONT><FONT face="Times New Roman"><BR></FONT><FONT face="Times New Roman"> </FONT><FONT style="FONT-SIZE: 10pt" size=2 face=Verdana><A href="http://barbra-archives.com/bjs_library/70s/high_fidelity_1976.html">http://barbra-archives.com/bjs_library/70s/high_fidelity_1976.html</A></FONT><FONT face="Times New Roman"><BR></FONT><FONT face="Times New Roman"><BR></FONT><B><FONT style="FONT-SIZE: 16pt" size=4 face="Times New Roman">This is <U>the second time</U> I have submitted the Gould-Streisand article to F Minor.</FONT></B><FONT style="FONT-SIZE: 16pt" size=4 face="Times New Roman"><BR></FONT><FONT style="FONT-SIZE: 16pt" size=4 face="Times New Roman"><BR></FONT><FONT style="FONT-SIZE: 16pt" size=4 face="Times New Roman">Mary Jensen</FONT> <FONT style="FONT-SIZE: 16pt" size=4><BR></FONT><BR> <BR><BR>
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