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<DIV dir=ltr align=left><SPAN class=937302313-19072010><FONT face=Arial
color=#0000ff>Correction: not what God <U>only</U> knows. How about her
MILLIONS of fans? Something there is in that voice that many enjoy.
That you do not enjoy is quite understandable as there is room for personal
tastes that differ from anyone else's. For example I am a huge fan of Tom
Waits who does not possess a normal human voice. Rather it is a hundred
mile stretch of bad roads, full of pot holes and dark whiskey as well as too
many cigarettes. Call me crazy, but I love his art, voice and all.
Ditto for Randy Newman.</FONT></SPAN></DIV>
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color=#0000ff></FONT></SPAN> </DIV>
<DIV dir=ltr align=left><SPAN class=937302313-19072010><FONT face=Arial
color=#0000ff>Fred Houpt</FONT></SPAN></DIV><BR>
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<FONT face=Tahoma size=2><B>From:</B> f_minor-bounces@glenngould.org
[mailto:f_minor-bounces@glenngould.org] <B>On Behalf Of </B>michael
macelletti<BR><B>Sent:</B> Sunday, July 18, 2010 10:33 AM<BR><B>To:</B>
Discussion of the Canadian pianist Glenn Gould.; gail paynter<BR><B>Subject:</B>
Re: [f_minor] Gould Meets Haydn / Streisand<BR></FONT><BR></DIV>
<DIV></DIV>
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<DIV>frankly, what streisand has to say about gg is of utterly no significance.
and what he could have possibly seen in her voice, which is supposedly lacking
in the really great singers, only God knows. </DIV>
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<B><SPAN style="FONT-WEIGHT: bold">From:</SPAN></B> James Wright
<gzarlino@hotmail.com><BR><B><SPAN
style="FONT-WEIGHT: bold">To:</SPAN></B> f_minor list
<f_minor@glenngould.org><BR><B><SPAN
style="FONT-WEIGHT: bold">Sent:</SPAN></B> Sun, July 18, 2010 7:28:25
AM<BR><B><SPAN style="FONT-WEIGHT: bold">Subject:</SPAN></B> Re: [f_minor] Gould
Meets Haydn / Streisand<BR></FONT><BR>
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The question was not when and where GG wrote about Streisand (the High Fidelity
piece is well known), but rather when and where Streisand commented on Gould, in
response.<BR><BR>James K. Wright, Ph.D.
<DIV>Associate Professor &</DIV>
<DIV>Supervisor of Performance Studies</DIV>
<DIV>School for Studies in Art & Culture: Music</DIV>
<DIV>A917 Loeb Building, Carleton University<BR>1125 Colonel By Drive<BR>Ottawa,
Ontario, Canada K1S 5B6<BR>Email: <A
href="mailto:James_Wright@carleton.ca" target=_blank rel=nofollow
ymailto="mailto:James_Wright@carleton.ca"><FONT
color=#0066cc>James_Wright@carleton.ca</FONT></A></DIV>
<DIV>Telephone : (613) 520-2600 (ext. 3734)<BR>Fax : (613)
520-3905<BR> </DIV>
<P><BR></P>
<HR id=stopSpelling>
From: maryellenjensen28@hotmail.com<BR>To: f_minor@glenngould.org<BR>Date: Sat,
17 Jul 2010 01:47:43 +0200<BR>Subject: [f_minor] Gould Meets Haydn /
Streisand<BR><BR>
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<BR><FONT style="FONT-SIZE: 16pt" face="Times New Roman" size=4>Oh what a relief
that someone else gives a flying ---- about Gould's Haydn. I have already
begged anyone here who can get their hands on a copy of "Gould's Remarkable
Haydn Series" Piano Quarterly Vol. 31 no. 121 Winter 1982-83 by Joseph Banowetz
to please send me a photocopy. I'll pay postage...I'll send you a free cd of
whatever you want (within reason) in return. No, that's going too far. I offer a
free cd of Gerard Lesne and Ensemble Il Seminario musicale recorded at Basilique
Saint-Hippolyte, Thonon-les-Bains, Haute-Savoie, France, April 1988 "Musique
Sacree pour Contralto, Cordes et Basse Continue" in fair trade for a copy of the
Joseph Banowetz article. You'll just have to twig the composer and the
compositions. </FONT><FONT style="FONT-SIZE: 16pt" face="Times New Roman"
size=4><BR></FONT><FONT style="FONT-SIZE: 16pt" face="Times New Roman"
size=4><BR></FONT><FONT style="FONT-SIZE: 16pt" face="Times New Roman"
size=4> People crow and crow ('cause it's facile?) that Gould rerecorded
The Goldberg Variations ... well hang on "just a doggone minute" (Gouldian
speak); </FONT><FONT style="FONT-SIZE: 16pt" face="Times New Roman"
size=4><U>Gould revisited Haydn first </U></FONT><FONT style="FONT-SIZE: 16pt"
face="Times New Roman" size=4>with his "slowhand" technique and I'm so glad that
he did. What gorgeous play he has to offer; this is really a sublime Gould who
feels at home with the composer. Haydn had all the moves that Gould could
respect and bounce off of. It sort of drives me crazy with jealousy. I have to
laugh out loud in pleasure and utter ... what is it exactly? Agreement?
Amusement? Fulfillment.</FONT><FONT style="FONT-SIZE: 16pt"
face="Times New Roman" size=4><BR><BR> </FONT><SPAN><A
href="http://www.youtube.com/watch?v=hfu5VDjRKmA&NR=1"
target=_blank>http://www.youtube.com/watch?v=hfu5VDjRKmA&NR=1</A></SPAN><BR><FONT
style="FONT-SIZE: 16pt" face="Times New Roman" size=4><BR></FONT><FONT
style="FONT-SIZE: 16pt" face="Times New Roman" size=4> <B>As for what
Gould had in mind for "Barbra", he laid his cards on the table: from <U>High
Fidelity Magazine May 1976 "Streisand As Schwarzkopf" by Glenn
Gould:</U></B></FONT><FONT face="Times New Roman"><BR></FONT><FONT
face="Times New Roman"><BR></FONT><FONT face="Times New Roman">
</FONT><FONT style="FONT-SIZE: 10pt" face=Verdana size=2><SPAN><A
href="http://barbra-archives.com/bjs_library/70s/high_fidelity_1976.html"
target=_blank>http://barbra-archives.com/bjs_library/70s/high_fidelity_1976.html</A></SPAN></FONT><FONT
face="Times New Roman"><BR></FONT><FONT
face="Times New Roman"><BR></FONT><B><FONT style="FONT-SIZE: 16pt"
face="Times New Roman" size=4>This is <U>the second time</U> I have submitted
the Gould-Streisand article to F Minor.</FONT></B><FONT style="FONT-SIZE: 16pt"
face="Times New Roman" size=4><BR></FONT><FONT style="FONT-SIZE: 16pt"
face="Times New Roman" size=4><BR></FONT><FONT style="FONT-SIZE: 16pt"
face="Times New Roman" size=4>Mary Jensen</FONT> <FONT style="FONT-SIZE: 16pt"
size=4><BR></FONT><BR> <BR><BR>
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