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<DIV dir=ltr align=left><SPAN class=767193113-19072010><FONT face=Arial
color=#0000ff size=3>I have not read GG's article on Barbara but will print it
off now and read it. I adore Haydn more and more as I play his piano
sonatas. In doing so I can see quite clearly how superior they are to
almost all of Woolfies. GG was a natural fit for Haydn and that he did not
record all of the oeuvre is sad.</FONT></SPAN></DIV>
<DIV dir=ltr align=left><SPAN class=767193113-19072010><FONT face=Arial
color=#0000ff size=3></FONT></SPAN> </DIV>
<DIV dir=ltr align=left><SPAN class=767193113-19072010><FONT face=Arial
color=#0000ff size=3>Fred Houpt</FONT></SPAN></DIV><BR>
<DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left>
<HR tabIndex=-1>
<FONT face=Tahoma size=2><B>From:</B> f_minor-bounces@glenngould.org
[mailto:f_minor-bounces@glenngould.org] <B>On Behalf Of </B>maryellen
jensen<BR><B>Sent:</B> Friday, July 16, 2010 7:48 PM<BR><B>To:</B>
f_minor@glenngould.org<BR><B>Subject:</B> [f_minor] Gould Meets Haydn /
Streisand<BR></FONT><BR></DIV>
<DIV></DIV><BR><FONT style="FONT-SIZE: 16pt" face="Times New Roman" size=4>Oh
what a relief that someone else gives a flying ---- about Gould's Haydn. I
have already begged anyone here who have to twig the composer and the
compositions. </FONT><FONT style="FONT-SIZE: 16pt" face="Times New Roman"
size=4><BR></FONT><FONT style="FONT-SIZE: 16pt" face="Times New Roman"
size=4><BR></FONT><FONT style="FONT-SIZE: 16pt" face="Times New Roman"
size=4> People crow and crow ('cause it's facile?) that Gould rerecorded
The Goldberg Variations ... well hang on "just a can get their hands on a copy
of "Gould's Remarkable Haydn Series" Piano Quarterly Vol. 31 no. 121 Winter
1982-83 by Joseph Banowetz to please send me a photocopy. I'll pay
postage...I'll send you a free cd of whatever you want (within reason) in
return. No, that's going too far. I offer a free cd of Gerard Lesne and Ensemble
Il Seminario musicale recorded at Basilique Saint-Hippolyte, Thonon-les-Bains,
Haute-Savoie, France, April 1988 "Musique Sacree pour Contralto, Cordes et Basse
Continue" in fair trade for a copy of the Joseph Banowetz article. You'll just
doggone minute" (Gouldian speak); </FONT><FONT style="FONT-SIZE: 16pt"
face="Times New Roman" size=4><U>Gould revisited Haydn first </U></FONT><FONT
style="FONT-SIZE: 16pt" face="Times New Roman" size=4>with his "slowhand"
technique and I'm so glad that he did. What gorgeous play he has to offer; this
is really a sublime Gould who feels at home with the composer. Haydn had all the
moves that Gould could respect and bounce off of. It sort of drives me crazy
with jealousy. I have to laugh out loud in pleasure and utter ... what is it
exactly? Agreement? Amusement? Fulfillment.</FONT><FONT style="FONT-SIZE: 16pt"
face="Times New Roman" size=4><BR><BR> </FONT><A
href="http://www.youtube.com/watch?v=hfu5VDjRKmA&NR=1">http://www.youtube.com/watch?v=hfu5VDjRKmA&NR=1</A><BR><FONT
style="FONT-SIZE: 16pt" face="Times New Roman" size=4><BR></FONT><FONT
style="FONT-SIZE: 16pt" face="Times New Roman" size=4> <B>As for what
Gould had in mind for "Barbra", he laid his cards on the table: from <U>High
Fidelity Magazine May 1976 "Streisand As Schwarzkopf" by Glenn
Gould:</U></B></FONT><FONT face="Times New Roman"><BR></FONT><FONT
face="Times New Roman"><BR></FONT><FONT face="Times New Roman">
</FONT><FONT style="FONT-SIZE: 10pt" face=Verdana size=2><A
href="http://barbra-archives.com/bjs_library/70s/high_fidelity_1976.html">http://barbra-archives.com/bjs_library/70s/high_fidelity_1976.html</A></FONT><FONT
face="Times New Roman"><BR></FONT><FONT
face="Times New Roman"><BR></FONT><B><FONT style="FONT-SIZE: 16pt"
face="Times New Roman" size=4>This is <U>the second time</U> I have submitted
the Gould-Streisand article to F Minor.</FONT></B><FONT style="FONT-SIZE: 16pt"
face="Times New Roman" size=4><BR></FONT><FONT style="FONT-SIZE: 16pt"
face="Times New Roman" size=4><BR></FONT><FONT style="FONT-SIZE: 16pt"
face="Times New Roman" size=4>Mary Jensen</FONT> <FONT style="FONT-SIZE: 16pt"
size=4><BR></FONT><BR> <BR><BR>
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