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<DIV>Thank you, Elaine, for your marvelous info. It's so nice to have a
corroborating guidance.</DIV>
<DIV>For me (as my subjective opinion) Tureck's influence on Gould goes
without saying, </DIV>
<DIV>and perhaps this is why the both players go hand in hand on
my list, without belittling others, as the best female and male Bach
player.</DIV>
<DIV> </DIV>
<DIV>Have a good weekend.</DIV>
<DIV>SDC</DIV>
<DIV> </DIV>
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<DIV style="font-color: black"><B>From:</B> <A title=elaine19c@yahoo.ca
href="">Elaine Parks</A> </DIV>
<DIV><B>Date:</B> Thursday, August 05, 2010 2:17 PM</DIV>
<DIV><B>To:</B> <A
title="mailto:f_minor@glenngould.org
CTRL + Click to follow link"
href="mailto:f_minor@glenngould.org">f_minor@glenngould.org</A> </DIV>
<DIV><B>Subject:</B> Re: [f_minor] Tureck and Gould</DIV></DIV></DIV>
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<TD vAlign=top>Indeed GG credits Tureck with having greatly ifluenced his
playing of Bach. You can find one of these instances in Jonathan Cott's
interviews ("Conversations with Glenn Gould"): "I did like Tureck's
recordings enormously - Tureck influenced me...she was the first person
who played Bach in what seemed to me a sensible way...playing of such
uprightness".
<DIV><BR>
<DIV> Cheers, Elaine<BR><BR>--- On <B>Thu, 8/5/10,
f_minor-request@glenngould.org
<I><f_minor-request@glenngould.org></I></B> wrote:<BR>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(16,16,255) 2px solid"><BR>From:
f_minor-request@glenngould.org
<f_minor-request@glenngould.org><BR>Subject: f_minor Digest, Vol
5, Issue 4<BR>To: f_minor@glenngould.org<BR>Received: Thursday, August
5, 2010, 4:00 PM<BR><BR>
<DIV class=plainMail>Send f_minor mailing list submissions
to<BR> <A href="/mc/compose?to=f_minor@glenngould.org"
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replying, please edit your Subject line so it is more specific<BR>than
"Re: Contents of f_minor digest..."<BR><BR><BR>Today's
Topics:<BR><BR> 1. If Rosalyn Tureck... (maryellen
jensen)<BR><BR><BR>----------------------------------------------------------------------<BR><BR>Message:
1<BR>Date: Wed, 4 Aug 2010 21:19:00 +0200<BR>From: maryellen jensen
<<A href="/mc/compose?to=maryellenjensen28@hotmail.com"
ymailto="mailto:maryellenjensen28@hotmail.com">maryellenjensen28@hotmail.com</A>><BR>To:
<<A href="/mc/compose?to=f_minor@glenngould.org"
ymailto="mailto:f_minor@glenngould.org">f_minor@glenngould.org</A>><BR>Subject:
[f_minor] If Rosalyn Tureck...<BR>Message-ID: <<A
href="/mc/compose?to=SNT111-W6042F78D1EA040C33C984B5AF0@phx.gbl"
ymailto="mailto:SNT111-W6042F78D1EA040C33C984B5AF0@phx.gbl">SNT111-W6042F78D1EA040C33C984B5AF0@phx.gbl</A>><BR>Content-Type:
text/plain; charset="iso-8859-1"<BR><BR><BR>Believe me, I'm not going to
be banging on about this forever but if while you're listening to this
you are not also in mind of Gould's 1981-82 recording then pardon me but
you haven't listened to Gould's second Goldberg. <BR>Microsoft hotmail
has does something bizarre by offering a little video box at the
beginning of each email which I did not ask for. Forget that box and go
to the hyperlink instead.<BR><BR><A
href="http:///www.youtube.com/watch?v=HExHrFt2pPM&feature=related"
target=_blank>http:///www.youtube.com/watch?v=HExHrFt2pPM&feature=related</A><BR><BR>Mary
Jensen <BR>
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of f_minor Digest, Vol 5, Issue
4<BR>*************************************<BR></DIV></BLOCKQUOTE></DIV></DIV></TD></TR></TBODY></TABLE><BR>
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