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<DIV><FONT size=3 face=Calibri>I seem to remember that the BBC has a deal with
the british equivalent of the RIAA that allows them to use as much music as they
want in their shows.</FONT></DIV>
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<DIV style="font-color: black"><B>From:</B> <A
title="mailto:maryellenjensen28@hotmail.com
STRG + Klicken, um Verknüpfung zu folgen"
href="mailto:maryellenjensen28@hotmail.com">maryellen jensen</A> </DIV>
<DIV><B>Sent:</B> Wednesday, September 29, 2010 4:30 AM</DIV>
<DIV><B>To:</B> <A
title="mailto:f_minor@glenngould.org
STRG + Klicken, um Verknüpfung zu folgen"
href="mailto:f_minor@glenngould.org">f_minor@glenngould.org</A> </DIV>
<DIV><B>Subject:</B> [f_minor] GG and film a late encore</DIV></DIV></DIV>
<DIV><BR></DIV>Thanks to Pat who put me straight on who played the Goldberg
snippet in the film Silence of The Lambs. It has been a long time since I saw it
(on tv) and I really should have verified the 'official soundtrack' before
writing anything at all about it. If memory serves, the 'Goldberg' portion of
the soundtrack was quite brief: the non-rhotic cannibal was being held in a
barred enclosure inside some sort of large portion of a state courthouse and he
was having dinner. Have I got it right?<BR><BR>As to the question of how much it
costs to employ GG's original music as opposed to Jerry Zimmerman:<BR>tell me
then how does the BBC get a discount? I am talking about the BBC series
"Sensitive Skin" Season 2 starring Joanna Lumley which has featured plenty of
Gould's recordings, have a look for yourself:<BR><BR>Episodes 1 and 6 Gould's
Bach Concerto in D Minor and Episode 2 from the English Suites:<BR><BR><A
href="http://www.babycow.co.uk/music.html">http://www.babycow.co.uk/music.html</A><BR><BR>How
many thousands of pounds were paid in Sony royalties? Somebody please give me a
rough estimate because none of this makes any sense to me. <BR><BR>Why is it
that Absolutely Fabulous, The Office and now Sensitive Skin have to be
'translated'' into remakes for American audiences? When I was a young girl in
America I watched The Avengers and Journey To The <U></U>Unknown just as handily
as any Canadian kid. I say Canadian because of North America, those brilliant
divertissements came fron the UK and we all seemed to 'get it' without any
remakes. I am of course completely underplaying the fact that we 'got' exotic,
it wasn't 'us' and we still got it. So sheesh, why must it all be translated
into "American" now for American audiences? It is all devo now. Devolution.
<BR><BR> I have never digested the James Dean/Marlon Brando comparisons put
forth by Bazzana and Page which have now become the NY Times LA Times Chicago
Whatever Seattle Whatsover buzzphrase for Glenn Gould. Do you really think so?
The James Dean of Bach? The Marlon Brando of Mozart? Codswallop. Here's another
left handed lanky performer not mentioned by Bazzana and Page:<BR><BR><A
href="http://www.youtube.com/watch?v=0tfhjTCpidQ&feature=related">http://www.youtube.com/watch?v=0tfhjTCpidQ&feature=related</A>
<BR><BR><BR>Mary Jensen<BR> <BR>
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