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<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Whilst Gould’s Bach was not used in
the film Silence of the Lambs, it was used (I recall) in the sequel, <st1:City
w:st="on"><st1:place w:st="on">Hannibal</st1:place></st1:City> – the aria
da capo from the Goldbergs.<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
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<p class=MsoNormal><b><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'>
f_minor-bounces@glenngould.org [mailto:f_minor-bounces@glenngould.org] <b><span
style='font-weight:bold'>On Behalf Of </span></b>pzumst<br>
<b><span style='font-weight:bold'>Sent:</span></b> Wednesday, September 29,
2010 11:21 PM<br>
<b><span style='font-weight:bold'>To:</span></b> f_minor@glenngould.org<br>
<b><span style='font-weight:bold'>Subject:</span></b> Re: [f_minor] GG and film
a late encore</span></font><o:p></o:p></p>
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12.0pt'><o:p> </o:p></span></font></p>
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<p class=MsoNormal><font size=3 face=Calibri><span style='font-size:12.0pt;
font-family:Calibri'>I seem to remember that the BBC has a deal with the
british equivalent of the RIAA that allows them to use as much music as they
want in their shows.</span></font><font size=2 face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma'><o:p></o:p></span></font></p>
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font-family:Tahoma'><o:p> </o:p></span></font></p>
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<p class=MsoNormal style='background:whitesmoke'><b><font size=2 face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma;font-weight:bold'>From:</span></font></b><font
size=2 face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'> <a
href="mailto:maryellenjensen28@hotmail.com"
title="mailto:maryellenjensen28@hotmail.com
STRG + Klicken, um Verknüpfung zu folgen">maryellen
jensen</a> <o:p></o:p></span></font></p>
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<p class=MsoNormal style='background:whitesmoke'><b><font size=2 face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma;font-weight:bold'>Sent:</span></font></b><font
size=2 face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'>
Wednesday, September 29, 2010 4:30 AM<o:p></o:p></span></font></p>
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<p class=MsoNormal style='background:whitesmoke'><b><font size=2 face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma;font-weight:bold'>To:</span></font></b><font
size=2 face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'> <a
href="mailto:f_minor@glenngould.org"
title="mailto:f_minor@glenngould.org
STRG + Klicken, um Verknüpfung zu folgen">f_minor@glenngould.org</a>
<o:p></o:p></span></font></p>
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<p class=MsoNormal style='background:whitesmoke'><b><font size=2 face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma;font-weight:bold'>Subject:</span></font></b><font
size=2 face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'> [f_minor]
GG and film a late encore<o:p></o:p></span></font></p>
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font-family:Tahoma'><o:p> </o:p></span></font></p>
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<p class=MsoNormal><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma'>Thanks to Pat who put me straight on who played the
Goldberg snippet in the film Silence of The Lambs. It has been a long time
since I saw it (on tv) and I really should have verified the 'official
soundtrack' before writing anything at all about it. If memory serves, the
'Goldberg' portion of the soundtrack was quite brief: the non-rhotic cannibal
was being held in a barred enclosure inside some sort of large portion of a
state courthouse and he was having dinner. Have I got it right?<br>
<br>
As to the question of how much it costs to employ GG's original music as
opposed to Jerry Zimmerman:<br>
tell me then how does the BBC get a discount? I am talking about the BBC series
"Sensitive Skin" Season 2 starring Joanna Lumley which has featured
plenty of Gould's recordings, have a look for yourself:<br>
<br>
Episodes 1 and 6 Gould's Bach Concerto in D Minor and Episode 2 from the
English Suites:<br>
<br>
<a href="http://www.babycow.co.uk/music.html">http://www.babycow.co.uk/music.html</a><br>
<br>
How many thousands of pounds were paid in Sony royalties? Somebody please give
me a rough estimate because none of this makes any sense to me. <br>
<br>
Why is it that Absolutely Fabulous, The Office and now Sensitive Skin have to
be 'translated'' into remakes for American audiences? When I was a young girl
in <st1:country-region w:st="on"><st1:place w:st="on">America</st1:place></st1:country-region>
I watched The Avengers and Journey To The Unknown just as handily as any
Canadian kid. I say Canadian because of North America, those brilliant
divertissements came fron the <st1:place w:st="on"><st1:country-region w:st="on">UK</st1:country-region></st1:place>
and we all seemed to 'get it' without any remakes. I am of course completely
underplaying the fact that we 'got' exotic, it wasn't 'us' and we still got it.
So sheesh, why must it all be translated into "American" now for
American audiences? It is all devo now. Devolution. <br>
<br>
I have never digested the James Dean/Marlon Brando comparisons put forth
by Bazzana and Page which have now become the NY Times LA Times Chicago
Whatever Seattle Whatsover buzzphrase for Glenn Gould. Do you really think so?
The James Dean of Bach? The Marlon Brando of Mozart? Codswallop. Here's another
left handed lanky performer not mentioned by Bazzana and Page:<br>
<br>
<a href="http://www.youtube.com/watch?v=0tfhjTCpidQ&feature=related">http://www.youtube.com/watch?v=0tfhjTCpidQ&feature=related</a>
<br>
<br>
<br>
Mary Jensen<br>
<br>
<o:p></o:p></span></font></p>
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